I have been to one Broadway show and I hated it. The chair was uncomfortable for a guy with long legs. The story was boring. They singing OK, but definitely not my style. To top it off…it was expensive.
I vowed to never return to Broadway, and that is before I learned this:
The Carnegie stagehands’ pay was something else again, but not, as it turns out, unique. At Avery Fisher Hall and Alice Tully Hall in Lincoln Center, the average stagehand salary and benefits package is $290,000 a year.
To repeat, that is the average compensation of all the workers who move musicians’ chairs into place and hang lights, not the pay of the top five.
Across the plaza at the Metropolitan Opera, a spokesman said stagehands rarely broke into the top-five category. But a couple of years ago, one did. The props master, James Blumenfeld, got $334,000 at that time, including some vacation back pay.
How to account for all this munificence? The power of a union, Local 1 of the International Alliance of Theatrical Stage Employees. “Power,” as in the capacity and willingness to close most Broadway theaters for 19 days two years ago when agreement on a new contract could not be reached.
A stagehand makes more than then President of the United States. That vow to never return has been fortified.
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